四川文理学院学报

借助福柯的规训权力与生命政治理论，采用“规训-生命政治互构分析框架”，考察两种权力机制在该系列中的交叠共存与交替显隐，并分析其与美国后民权时代种族话语转型的互文关系。研究发现，两部影片构成了同一种治理术两种面孔的权力解剖学，揭示了“规训-生命政治”复合体系如何从潜在交叠走向显性共谋。这一解剖行为本身亦内嵌于它所批判的治理逻辑，使该系列同时成为审视当代动画媒介介入社会批判的潜能与限度的典型案例。

Drawing on Foucault's theories of disciplinary power and biopolitics, the present study employs an interlocking disciplinary biopolitical analytic framework to examine the overlapping coexistence and alternating salience of these two power mechanisms in the film series, and to trace their intertextual relationship with the transformation of racial discourse in post-civil rights era in the United States. The findings reveal that the two films constitute a power anatomy presenting two faces of a single governmentality, exposing how the disciplinary biopolitical composite system evolves from latent overlap into overt collusion. This very act of anatomical exposure is itself embedded within the governing logic it critiques, making the series an instructive case for examining both the potential and the limits of contemporary animated media as a vehicle for social critique.